To ensure that the stereo mastering process runs smoothly and achieves the best possible sound quality, please follow the specifications and guidelines below when submitting your files: 1. File Format
- Format: WAV or AIFF
- Bit Depth: 24-bit or 32-bit (if possible) for optimal sound quality
- Sample Rate: 44.1 kHz to 96 kHz (matching the original recording)
2. Mixdown (Stereo Bounce)
- Please provide only the final stereo mix (no multitrack stems).
- Headroom: Leave at least -3 to -6 dB of headroom in the mix to allow enough space for mastering.
- Effects: Do not apply limiters or other loudness-enhancing effects on the master bus. Light compression and EQ are fine if they are part of your intended mix.
3. File Naming and Structure
- Name your files using the following format: Artist_Title_Songname_BPM (e.g., Artist_SongTitle_128BPM.wav).
- If multiple versions (e.g., clean, instrumental) need to be mastered, please label them accordingly.
4. Additional Notes
- References: If available, include a reference track that reflects your desired sound. This helps us better understand your sonic goals.
- Notes: Feel free to add any comments regarding your preferences for dynamics, loudness, or specific effects.
5. Delivery
- Please upload your files via our UPLOAD section.
| To ensure an optimal mastering process and achieve the best sonic results for your production, please follow the specifications and guidelines below when submitting your files: 1. File Format and Specifications
- Format: WAV or AIFF
- Bit Depth: 24-bit or 32-bit
- Sample Rate: 44.1 kHz to 96 kHz (matching the original recording)
2. Stems (Individual Submix Tracks)
- Provide the stems as separate audio files (e.g., drums, bass, vocals, guitars, synthesizers), so that each group can be processed individually.
- Headroom: Leave at least -3 to -6 dB of headroom on each stem to allow sufficient space for processing.
- Effects: Avoid using master bus effects such as limiters or compressors unless they are essential to the desired sound.
- Timing and Alignment: Make sure all stems are rendered from the same starting point so that they stay in sync.
3. File Naming and Structure
- Name your files using the following format: Artist_Title_StemName (e.g., Artist_Song_Drums.wav).
- Organize the files in a clearly structured folder and label the stems as needed (e.g., lead vocals, backing vocals, main instruments).
4. Additional Notes
- Reference Mix: If possible, include a reference mix that shows how the stems were originally intended to sound together. This serves as a helpful guide for the desired overall sound.
- Notes and Instructions: Feel free to include comments about specific preferences (e.g., desired dynamics, volume balance between stems, effects).
5. File Delivery - Please upload your files via our UPLOAD section.
| To achieve optimal results in Atmos mixing or mastering and to fully utilize the potential of the immersive format, please follow the specifications and guidelines below when submitting your files: 1. File Format and Specifications - Format: WAV or ADM-BWF (Broadcast Wave Format)
- Bit Depth: 24-bit
- Sample Rate: 48 kHz or higher (matching the original recording)
2. Stem Groups - Stems and Objects: Please provide the individual audio channels for each stem group such as dialogue, music, effects, ambience, etc., as well as the object tracks necessary for immersive placement.
- Routing and Positioning: Ensure that routing and positioning of the objects in the space are correctly set and that all channels are clearly labeled (e.g., “Vocal_Left_Front” or “SFX_Top”).
- Headroom: Leave at least -3 to -6 dB of headroom on each channel to allow for clean processing.
3. File Naming and Structure - Name the files using a clear scheme, for example: Artist_Title_StemName_Location (e.g., Artist_Song_Drums_TopCenter.wav).
- Folder Structure: Organize the files in a structured folder system (e.g., “Vocal Stems,” “Music Stems,” “SFX,” “Ambience”). This facilitates the workflow and maintains clarity.
4. Additional Notes - Reference Mix: If possible, provide a stereo or 5.1 reference mix to illustrate the desired sound.
- Spatial Placement and Dynamics Instructions: Include detailed notes on the preferred placement of sounds and dynamics (e.g., effects in the ceiling channels, specific sound movements).
- Metadata: If available, include Dolby Atmos metadata such as positioning data and dynamic controls set in your DAW.
5. File Delivery
- Please upload your files via our UPLOAD section.
- Verification: Before sending, ensure all data is complete and free of audio clips or artifacts. Atmos projects can be complex, so careful review is important.
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